WTF is 100 Gecs?

 

Last month, a topic began trending on Twitter that seemed just a little out of the ordinary. It wasn’t a celebrity’s name, or the name of a place, or a natural disaster, or “Happy National Whatever-the-fuck” day. No one was sure exactly what it was, the specifics being so vague and the tweets just as confusing. It wasn’t until Phoebe Bridgers tweeted “five hundred twenty-five thousand six hundred gecs” when I discovered the phrase for the first time.

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Meet Emillo: ‘Livin’ On The Rise

Living in the local L.A. music scene, it’s easy to notice the inundation of new, local hip-hop talent coming out of the woodwork almost every day. It gets to a point where the kitchen becomes so cluttered, you can’t tell who is who or who’s making what anymore. The aim for the window to become groundbreaking and noticeable just feels like it’s ever-shrinking, also due to the fact that all these artists and producers have the same tool sets. They’re all using the same equipment and software, but it’s their approach that will ultimately determine if they’re filtered out among the significant ones.

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Meet Auragraph: L.A.’s Best Kept Electronic Secret

Nestled deep inside a garden in Echo Park, an almost half-greenhouse, half-house cottage sits comfortably among what looks like an oasis. On a hot July Sunday afternoon, Carlos Ramirez, known as synth-wave artist Auragraph, takes us into what legit could be a hidden room of secrets: his studio.

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What Happened Last Weekend with Boards of Canada’s ‘Societas X Tape’?

Upon the announcement of their NTS Radio take over this past weekend, Warp Records scheduled certain hours of exclusive remixes, live performances, and unreleased material from just about every artist on their roster. Some artists curated mixes, others played exclusively new material. However, one name on that schedule did catch the attention of every Warp Records enthusiast.

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Inside Flying Lotus’ “Flamagra” Listening Party

The term listening party has always thrown me off. It’s almost a tease in the name itself – sometimes they’re cool experiences, other times they’re not as cool as they’re made out to be, maybe due to the host wanting a large turnout just so they can guarantee they’ll have a line that stretches around the block.

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Live Review: The Strokes’ “Global Comeback” at the Wiltern in L.A.

“The adults are talking!” exclaimed Julian Casablancas during a pause in the show. He’d revisit this phrase a few more times in the evening, but one could tell from the abrupt stop and the crowd chanting “New song! New song!” repeatedly, as well as roadies scrambling about trying to re-arrange the gear for an unexpected change in the set list, that the audience was in for a treat. “I’m gonna try my best on this one,” Casablancas confessed before the band ripped into the new addition to their repertoire. “Are you not entertained?” he teased near the end of the new song.

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Does “Old Town Road” Signify a New Phase in Musical Evolution?

An anomaly occurred just a little less than a month ago, when Lil Nas X’s “Old Town Road” charted on the Country Billboard chart. It was, at that time, maybe taken as a joke. But then you started listening to it… and you couldn’t really tell what the song was. Was it a country song, but made with hip-hop instruments? Or vice-versa? Regardless if it feels like a glazed-donut dipped into an orange 7/11 Big-Gulp, the song itself represents perhaps a new age in contemporary music.

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So, What Was It Like Inside Aphex Twin’s First U.S. Club Show in 20+ Years?

For those of you not familiar with the music or the many monikers of Richard D. James (and if you clicked on this link I hope to God you are), let me run down the night in phases of his first non-festival show on U.S. soil in over two decades at Brooklyn’s Avant Gardener.

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